We met at Milla’s place. Not all of us were able to be
there, though: poisoned by Unicafe, Itzam was throwing up at home, and Eljas
had urgent plumbing business to attend to. So it was just Juho and the girls.
That didn’t really lessen the excitement – Juho had written some sketches for
the libretto and we couldn’t wait to hear what they were all about. Milla and
Iida read them through to see how they’d sound. (Great.) Are you curious yet? Think
about Finnish winter. Think about extreme cold, darkness, and ugly
concrete buildings in the middle of nowhere. To this nowhere-place a person
arrives on a train. This is the grand start of our libretto experience.
Here I’ve got to digress a bit:
To really appreciate the train scenario, you have to
understand that the Finns have a very special relationship with trains. We have
a state-owned railway company, VR, that has a monopoly in Finland. The prices
are outrageous (to put it mildly), and the trains are very often late for
various reasons. One of the reasons is snow. It snows every winter, and every
winter VR is surprised by this strange phenomenon. Also many technical faults
hinder the trains on their journeys across our dear country. Everyone knows someone
who was in a train that got stuck for so long that the restaurant cart run out
of alcohol.
The train station announcements are famous for their lack of
foresight. ”The train to Kuopio will be delayed for five minutes.” You hear
this and you think, alright, I can wait here, that’s not long. And five minutes
later: ”The train to Kuopio will be delayed for another 10 minutes.” You’re
annoyed, but you hold on. After four or five announcements like this, though,
you start to have stronger feelings about trains, announcers, and life in
general.
Probably the trains are not going to play a huge role in the
opera, but. Anyway.
The libretto is progressing: Juho promised to bring more
scenes to our next meeting, so the co-operation can really start. Now it’s
mainly about Juho and Itzam working together to find the right balance between
music and text – there are many things you have to think about when you’re
writing something that’s going to be set to music. But more of that later.